Eternal sunshine of the spotless mind


After a painful breakup, Clementine (Kate Winslet) undergoes a procedure to erase memories of her former boyfriend Joel (Jim Carrey) from her mind. When Joel discovers that Clementine is going to extremes to forget their relationship, he undergoes the same procedure and slowly begins to forget the woman that he loved. Directed by former music video director Michel Gondry, the visually arresting film explores the intricacy of relationships and the pain of loss.

Eternal sunshine for a spotless mind - Trailer

Director & Cast

Michel Gondry

Jim Carey - Joel Barish
Kate Winslet – Clementine Kruczynski
Gerry Byrne – Train Conductor
Elijah Wood – Patrick
Mark Ruffalo – Stan
Kirsten Dunst – Mary
Thomas Ryan – Frank
Jane Adams – Carrie
Debbon Ayer – Joel’s mother

Interview & The Making Of


Recursion & Destiny
The Nature of Attraction
Conscious vs Subconscious


Michel Gondry says that Eternal Sunshine of the Spotless Mind is about memories. The film demonstrates that a person's memories make up a significant part of who he or she is. Memories, even painful ones, are vital to these characters and the decisions they make. They are not easily extricated from one's life. Removing the characters' memories is not fool proof; the procedure ignites its own thread of drama and turmoil. In his most restrained and believable performance yet, Jim Carrey captures the entire gamut of Joel's emotions: his regret over choices made and careless things said, his growing desperation to save what little of Clementine remains in his mind, and his growing realization that even if he no longer loves her, or what their relationship had become, he could still love his memories of her. He also learns that some relationships cannot be erased, but must be resolved, and through his own mental conversations with his memory of Clementine, a wistful closure is attained, even as his memory of her fades.

The Nature Of Attraction

Eternal Sunshine of the Spotless Mind demonstrates the rift between immediate attraction and a successful relationship. Without the memories of each other, the two main couples (Mary and Howard, Joel and Clementine) still feel the initial lightning bolt of attraction they felt when they first met (the first time). In this way, the procedure takes the characters backwards in their emotional growth, instead of the intended result of helping them move on. Mary, unaware that Dr. Mierzwiak has already broken her heart, reads quotes in an attempt to impress him. Joel is taken by Clementine's spontaneity (again) when he is feeling listless and lonely. At the end of the film, Joel tells Clementine, "I can't see anything I don't like about you," to which Clementine replies, "but you will." Is this knowledge enough to keep them apart? Even though they have heard these tapes detailing their bitter breakup, they are clearly attracted to one another - and it all depends whether Joel and Clementine decide to listen to their heads or their hearts.

Conscious vs. Subconscious

The versions of Joel and Clementine that Joel sees in his memory are not real, but they are interpretations or projections of the real people. Therefore, the conciliatory conversations they have over the course of the film are essentially a figment of Joel's imagination. In an interview, Michel Gondry described having conversations with his dying father in his mind, and thought it tenuously possible to have subconscious interactions with someone you know really well. Joel's mental version of Clementine is not too far off from the real Clementine, a synthesis of her mannerisms, effects, and reactions over the two years they spent together. Nevertheless, Joel's subconscious self finds an element of closure in his relationship with Clementine; and his anger dissipates, leaving him with her final message: "Meet me in Montauk." His conscious self then takes the instruction, so Joel and Clementine are able find each other again.

Eternal Sunshine of a Spotless Mind

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