Dane Jensen (Gerard Butler) is a successful Chicago-based corporate headhunter who works at the Blackridge Recruitment agency. His life revolves around closing deals in a survival-of-the-fittest boiler room. As the film opens Jensen is shown to be focused on his job, but he also tries to be a family man. His boss Ed Blackridge (Willem Defoe) is offering Jensen a promotion that will lead to Jensen controlling the company. But in order to secure the promotion, he must beat his ambitious rival Lynn Wilson's (Alison Brie) numbers. Jensen's focus on the job becomes a detriment to his family. His wife Elise (Gretchen Mol) asks for more of his time with the family.
Jensen tries to spend some quality time with his oldest child Ryan (Maxwell Jenkins), to prepare Ryan for the adult world. Jensen finds Ryan on the verge of childhood obesity and takes him jogging in the morning. Jensen notices that his son is constantly complaining of tiredness and has bruises. Jensen works harder and spends more time at the office to try to get the promotion, but it does not sit right with Elise. She asks him to prioritize. Ryan is later diagnosed with cancer, which shocks Jensen. He spends more time with his son, which causes his numbers — a prerequisite of the promotion — to drop. Meanwhile, Lynn takes the opportunity to tap into his clients and scores. The film culminates with Ryan falling into a coma before getting better, and Jensen losing his job at Ed's firm, due to not making profit. But the strict Ed releases Jensen from his non-compete agreement. Jensen starts his own company, but is also invested with his family.
A Family Man 2016 Trailer
Character – Establishment, Development, Motivation & Relationship
Character motivation is a good indicator of ideology. In mainstream texts, the protagonist is often motivated by the need to restore order and set the social values right, according to the society and its beliefs at the time the text was produced and distributed. Their motivation will often reflect the dominant ideology of the time and society.
Antagonist will often reflect the opposite belief and as a result the audience will seek revenge against the character and want them to be punished for their actions or have the character feel a sense of reflection for their attitudes and behaviors. Unless in the resolution the character has a change of heart and their evil turns to good.
Audiences can often predict character motivation, development and resolution. Creators will do this in family orientated texts. Audiences of this genre want happy endings and feel at peace with the conclusion of the narrative.
Relationships between characters are constructed to develop the narrative, building its sense of realism through dialogue and actions that represent how audiences expect characters to react to the narrative triggers introduced into the text.
Nelson Media, Flack 2018